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To Access: B26.1 Audio 12" - Box 1

Night Eyes is the tenth full length album by the reclusive mudboy, and his first in seven years. A key member of the early 2000's free-folk and experimental music scene coming out of Providence, Rhode Island, mudboy is largely identified with modified analog electronic keyboards and a live shows featuring shamanistic performances and DIY pyrotechnics. For Night Eyes, mudboy converted a massive pipe organ in Dortmund, Germany, into an electro-acoustic instrument, at its time, the largest of its kind in the world. The subject of the musical composition is Wes Craven's 1984 film: A Nightmare on Elm Street and features key motifs and elements from that soundtrack. With Peter Schutte (Psychobuildings, Silk Flowers) at his side, mudboy takes you through a dreamscape of horrific liminal states and uncanny motifs. This limited edition pressing features hand numbered silver silkscreen covers with eyeholes burned through it, a large 23" x 34" newsprint poster, and an elaborate monograph by the artist on the subject of dreams and the uncanny in sound.

2/8/2019
Bandcamp
https://ehserecords.bandcamp.com/album/night-eyes

1d:T401,

Curated by A.E. Benenson, “Where 2” (December 15, 2013 – February 14, 2014) recontextualizes Douglas Gordon’s super-durational appropriation work, “24 Hour Psycho” (1993) within contemporary networks of live-streaming and digital media piracy. Working as an act of recursive appropriation, the exhibition screens Hitchcock’s “Psycho” once daily in the gallery at 6:30pm and streams the footage via webcam to gallery’s website at Gordon’s prescribed speed of two frames per second to create a continuous, unauthorized digital version of 24 Hour Psycho.

The related publication “Where 2” contains a conversation between the directors of Where and David Joselit, essays by David Phelps and A.E. Benenson, as well as a flipbook and photo documentation.

Where can be viewed and contacted through
www.1397MyrtleAvenueUnit4BrooklynNY11237.com

- irlyon.com

R. Lyon